Nikon 16.2 Megapixels D4 Full-frame DSLR Review by CNET US With Rating 8.9/10
2012-07-18 01:29 | SourceAverage Camera Review Rating [10 reviews]

Cameras In The Article

On Jaunary 5 2012, Nikon announced the 16.2 Megapixels Nikon D4 professional DSLR camera. The Nikon D4 comes with a redesigned body and features a raft of updates throughout, bringing improvements both for photographers and videographers alike. Key features include a 16.2 Megapixel FX-format image sensor, EXPEED 3 image processor, Advanced Multi-Cam 3500 autofocus module, 3D Color Matrix Metering III sensor, 10 frames-per-second full-res shooting (or 11 fps with focus / exposure locked), an expanded ISO sensitivity range of 50 to 204,800 equivalents, 3.2-inch LCD panel, and illuminated controls, as well as overhauled connectivity options including a built-in ethernet port, storage (including support for both CompactFlash and the recently-announced XQD card format), and a new battery type.
Videographers will find interesting features such as the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, videographers can record H.264 / MPEG-4 AVC format video for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data fast which results in less instances of rolling shutter distortion. including 24/30 fps 1080p video capture from the whole sensor or with two optional focal length crop levels, ability to adjust the main exposure variables during capture, fine-grained audio levels control, a headphone port for live audio monitoring, the ability to output an uncompressed high def video feed to the HDMI port for external recording and display, and time-lapse video recording capability. The Nikon D4 is listed for $5999.95. Here's the summary of review by CNET US, giving the camera a rating of 8.9 out of 10:
"Without question the D4's photo quality is excellent, with a great noise profile. Its JPEGs look clean as high as ISO 1600, and are decent at ISO 3200 -- there you start to see some detail degradation -- and usable at ISO 6400, depending upon content. I compared the in-camera NR off to the normal at ISO 1600, and didn't really see much of a difference in the JPEGs. There's a noticeable bump in artifacts between ISO 3200 and ISO 6400. But rather disappointingly, the artifact profile for JPEGs doesn't look quite as good as the D3S' at sensitivities below ISO 12800. Although better by the numbers than the D3S's JPEGs at ISO 12800 and above, I wouldn't suggest using the JPEGs beyond ISO 6400. On the upside, shooting raw yields significantly better shots at higher sensitivities. Color rendering looks great as well. The default Standard Picture Control boosts saturation a little, but not enough to induce hue shifts; it does increase contrast to the point where you do lose a bit of shadow detail, however. If you decide to go Neutral, it preserves some of the tonal range, but I recommend boosting sharpness a bit from the Neutral defaults. Bright, saturated colors that are heavy in the red channel can end up with clipped highlights, but raw files retain all the detail, and in general the camera preserves enough highlight and shadow detail in the raw for good recovery in really high-contrast images without introducing noise in the shadows or too much contouring in the highlights. I'm not thrilled with the video quality: It's very good, but for $6,000 I expect wow. In bright light it's relatively soft, albeit with a decent tonal range, and no visible artifacts like rolling shutter or moiré. In dim light (high ISO sensitivities) it stays pretty clean without clipping too much in the shadows or highlights, but once again looks soft.
The Nikon D4 is one of the fastest cameras I've ever had the pleasure of shooting with, though it falls short of perfection. It powers on, focuses, and shoots almost instantaneously -- definitely faster than our ability to measure it confidently. It seems to perform every operation in our tests in about 0.2 second: time to focus and shoot in both bright and dim conditions, as well as two sequential shots in raw, JPEG, and even TIFF. We clocked continuous shooting at 9.8 frames per second for JPEGs, but in practice that held as well for long bursts of raw+JPEG, too. The D4's autofocus system is mostly excellent, locking quickly and usually accurately in both single and burst shooting, for fixed subjects as well as while panning. The dynamic and tracking focus options still tend to get a little distracted by the background, but unlike some cameras the D4 maintains the display of the center point (when that's the setting) during continuous AF, which really helps. However, despite gaining a stop of sensitivity in low light, centerpoint autofocus at f2.8 remains more frustrating than I expect for a camera in this price range and with these specs -- especially one of which the single most important distinguishing characteristic should be speed. (The variations of AF point sensitivities are too complex to go into here. For a complete description, check out pages 75-76 of the PDF manual.) Also, the sluggish Live View autofocus just makes me sad. One of the nice aspects of cameras in this class is the dual card slots; in the case of the D4, one CompactFlash and one XQD, a new technology that thus far has no other camera adopters. I've got mixed thoughts about its inclusion here. On the upside, it's fast -- a lot faster than SD at this point. But so is the 100MBps CF, and as far as I can tell you gain no in-camera performance improvements over that from it, and you lose compatibility. However, when using a USB 3.0 XQD reader the downloads are very fast."
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| Manufacturer | Nikon | Canon | Canon |
|---|---|---|---|
| Model | D4 | EOS-1D X | EOS 5D Mark III |
| Style | Digital SLR | Digital SLR | Digital SLR |
| Megapixels | 16.2 | 18.1 | 22.3 |
| LCD Screen | 3.2-in. approx. 921k-dot (VGA) TFT LCD with 170 degree viewing angle, approx. 100% frame coverage, and automatic monitor brightness control using ambient brightness sensor | 3.2-inch TFT color, liquid-crystal monitor with approx. 1.04 million dots | 3.2-inch TFT color, liquid-crystal monitor with Approx. 1.04 million dots Coverage Approx. 100% Approx. 170 degree vertically and horizontally |
| Memory Cards | XQD and Type I CompactFlash memory cards (UDMA compliant) Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards | Dual CF Cards (Type I or II) Compatible with UDMA 7 CF cards | CF Cards (Type I); Compatible with UDMA CF cards; SD, SDHC, and SDXC Memory Cards |
| Resolution | FX format (36x24): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S] 1.2x (30x20): 4,096 x 2,720 [L], 3,072 x 2,040 [M], 2,048 x 1,360 [S] DX format (24x16): 3,200 x 2,128 [L], 2,400 x 1,592 (M), 1,600 x 1,064 (S) 5:4 (30x24): 4,096 x 3,280 [L], 3,072 x 2,456 [M], 2,048 x 1,640 [S] FX-format photographs taken in movie live view (16:9): 4,928 x 2,768 [L], 3,696 x 2,072 [M], 2,464 x 1,384 [S] DX-format photographs taken in movie live view (16:9): 3,200 x 1,792 [L], 2,400 x 1,344 [M], 1,600 x 896 [S] FX-format photographs taken in movie live view (3:2): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S] DX-format photographs taken in movie live view (3:2): 3,200 x 2,128 [L], 2,400 x 1,592 [M], 1,600 x 1,064 [S] A DX-based format is used for photographs taken using the DX (24x16) 1.5x image area; an FX-based format is used for all other photographs | (1) Large: Approx. 17.9 Megapixels (5184 x 3456) (2) M1: Approx. 14.20 Megapixels (4608 x 3072) (3) M2: Approx. 8.00 Megapixels (3456 x 2304) (4) Small: Approx. 4.5 Megapixels (2592 x 1728) (5) RAW: Approx. 17.90 Megapixels (5184 x 3456) (6) M-RAW: Approx. 10.10 Megapixels (3888 x 2592) (7) S-RAW: Approx. 4.50 Megapixels (2592 x 1728) | (1) Large: Approx. 22.10 Megapixels (5760 x 3840) (2) Medium: Approx. 9.80 Megapixels (3840 x 2560) (3) S1 (Small 1): Approx. 5.50 Megapixels (2880 x 1920) (4) S2 (Small 2): Approx. 2.50 Megapixels (1920 x 1280) (5) S3 (Small 3): Approx. 350,000 Pixels (720 x 480) (6) RAW: Approx. 22.10 Megapixels (5760 x 3840) (7) M-RAW: Approx. 10.50 Megapixels (3960 x 2640) (8) S-RAW: Approx. 5.50 Megapixels (2880 x 1920) Exact file sizes depend on the subject, ISO speed, Picture Style, etc. |
| File Formats | NEF (RAW): 12 or 14 bit, lossless compressed, compressed or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8) or basic (approx. 1:16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats | Still Image: JPEG, RAW (14-bit Canon Original), M-RAW, S-RAW, RAW+JPEG, M-RAW+JPEG, S-RAW+JPEG Video: MOV (Image data: H.264; Audio: Linear PCM) Video: MOV (image data: H.264; audio: Linear PCM) | Still Image: JPEG, RAW (14-bit Canon Original), M-RAW, S-RAW, RAW+JPEG, M-RAW+JPEG, S-RAW+JPEG Video: MOV (Image data: H.264/MPEG-4 AVC; Audio: Linear PCM) |
| Focal Length | N/A | N/A | N/A |
| Shutter Speed | 1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV, bulb, X250 | 1/8000 to 1/30 sec., bulb, X-sync at 1/250 sec. Shutter speed's control range can be set with a Custom Function. | 1/8000 to 1/60 sec., X-sync at 1/200 sec. 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode.) * Shutter speed's control range can be set with a Custom Function. |
| Aperture | N/A | N/A | N/A |
| ISO Sensitivity | ISO 100 to 12800 in steps of 1/3, 1/2 or 1 EV; can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, 2, 3 or 4 EV (ISO 204800 equivalent) above ISO 12800; auto ISO sensitivity control available | Automatically set, ISO 100-51200 (in 1/3-stop or 1-stop increments) Basic Zone modes: ISO 100-51200 set automatically Extension settable: ISO 50; 102,400 and 204,800 | ISO 100-25600 (in 1/3-stop or whole-stop increments) ISO speed expansion possible to ISO 50, 51200, and 102400. For [Highlight tone priority], the settable ISO speed range will be 200-25600. ISO speed safety shift possible with Custom Function. |
| White Balance Settings | Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2,500 K to 10,000 K); all with fine-tuning | Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature settingWhen blue/amber bias and magenta/g | (1) Auto (AWB) (2) Daylight (3) Shade (4) Cloudy (5) Tungsten light (6) White fluorescent light (7) Flash (8) Custom (Custom WB) (9) Color temperature |
| Flash Modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; auto FP high-speed sync supported | 1) External Flash Control Flash mode, sync setting, FEB (not with 270EX II / 270EX), flash exposure compensation, E-TTL II, zoom, wireless master flash, (not with 430EX II / 270EX), and clear settings. 2) Flash Custom Function Setting | E-TTL II autoflash with all EX Series Speedlites |
| Flash Range | N/A | N/A | N/A |
| Shooting Modes | Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls | (1) Remote Live View shooting (with a personal computer installed with EOS Utility) (2) Live View shooting | Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3 * Scene Intelligent Auto will set [Auto] automatically. * [Standard] is the default setting for [User Def. 1-3] |
| Maximum Movie Resolution | 1,920 x 1,080; 30p (progressive), 25p, 24p 1,920 x 1,080 crop; 30p, 25p, 24p 1,280 x 720; 60p, 50p, 30p, 25p 640 x 424; 30p, 25p | 1920 x 1080 (Full HD), 1280 x 720 and 640 x 480 | 1920 x 1080 (Full HD), 1280 x 720 and 640 x 480 |
| Maximum Movie Frames Per Second | Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; all options support both high and normal image quality | [1920 x 1080]: 30 fps / 25 fps / 24 fps [1280 x 720]: 60 fps / 50 fps [640 x 480]: 30 fps / 25 fps | [1920 x 1080]: 30 fps / 25 fps / 24 fps [1280 x 720]: 60 fps / 50 fps [640 x 480]: 30 fps / 25 fps |
| Maximum Movie Duration | N/A | N/A | If the recording time reaches 29 min. 59 sec., the movie shooting stops automatically. |
| Macro Focus | N/A | N/A | N/A |
| Metering | Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12-mm circle in center of frame; diameter of circle can be changed to 8, 15 or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) Spot: Meters 4-mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) | 252-zone metering with approx. 100,000-pixel RGB AE sensor and TTL maximum aperture metering employed. The following metering modes selectable: (1) Evaluative metering (linked to all AF points) (2) Partial metering (center, approx. TBA% of viewfinder) (3) Spot metering (center, approx. TBA% of viewfinder) | Max. aperture TTL metering with 63-zone SPC with the following selectable modes: (1) Evaluative metering (linked to all AF points) (2) Partial metering (center, approx. 7.2% of viewfinder) (3) Spot metering (center, approx. 1.5% of viewfinder) AF point-linked spot metering not provided. (4) Center-weighted average metering |
| Image Stabilization | No | No | No |
| Self Timer | 2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2 or 3 s | 10-sec. delay, 2-sec. delay | 10-sec. or 2-sec. delay |
| Video Out (TV Playback) | Yes, Type C mini-pin HDMI connector; can be used simultaneously with camera monitor | Yes, NTSC/PAL selectable | (1) Video OUT terminal: NTSC/PAL selectable (2) HDMI mini OUT terminal |
| Batteries | One Rechargeable Li-ion Battery EN-EL18 | One Battery Pack LP-E4N or LP-E4 | One Battery Pack LP-E6 |
| Dimensions | 160 x 156.5 x 90.5 mm/6.3 x 6.2 x 3.6 in. | 6.2 x 6.4 x 3.3 in. (158 x 163.6 x 82.7 mm) | 6.0 x 4.6 x 3.0 in. (152.0 x 116.4 x 76.4 mm ) |
| Weight | 1,180 g/2 lb 9.6 oz | N/A | 30.3 oz./ 860g |
| Other Info | Continuous Shooting Speed Super High-speed: Maximum 14 shots/sec. High-speed: Maximum 12 shots/sec. Low-speed: Maximum 3 shots/sec. | Continuous Shooting Speed High-speed: Maximum approx. 6 shots/sec. Low-speed: Maximum approx. 3 shots/sec. Silent continuous shooting: Maximum approx. 3 shots/sec. Maximum Burst JPEG Large/Fine: Approx. 65 shots (approx. 16270 shots) RAW: Approx. 13 shots (approx. 18 shots) RAW+JPEG Large/Fine: Approx. 7 shots (approx. 7 shots) *Figures are based on Canon's testing standards (ISO 100 and Standard Picture Style) and a 8 GB card. | |
| Release Date | 2012-01-05 | 2011-10-18 | 2012-03-02 |
Nikon D4 Sample Photos on Flickr
Nikon D4 Camera Reviews Roundup
| Digital Camera Review: "Still image quality is excellent and while I can't say that the D4's images trump those of the D3s (for the most part, the two are pretty similar), but the jump from 12 megapixels to 16 megapixels may appeal to a broad section of D3s users. While some may complain that they'd prefer 21 megapixels but considering the camera's exceptional low light/high ISO capabilities, which can now be expanded to a low of ISO 50 an..." - Dec 30 2012 More » | |
| NeoCamera: "Ultimately, it is the image quality that makes a camera worth buying. For a digital SLR, image quality greatly depends on the lens used. While color, noise, contrast and exposure are properties of the camera, distortion, vignetting and chromatic aberrations are properties of the lens. Sharpness depends on the weakest link. So, the camera cannot capture more details than the lens lets through. Conversely, a lens can..." - Nov 20 2012 More » | |
| RegHardware: "Like its older brother this camera is king of low light photography but whilst the image quality is essentially the same between the two models, the D4 definitely steps up performance. Not only is the EXPEED 3 image-processing engine is able to deliver increased continuous shooting speed, but the RGB metering sensor serving the camera's scene recognition system makes the D4 one of the fastest and more accurate profe..." - Aug 03 2012 More » | |
| PopPhoto: "With 4.1MP more than the D3s, the 16.2MP D4 showed just enough resolution to earn it an Excellent rating in overall image quality. Moreover, while keeping noise to a Low or better rating, it held enough resolution to maintain that image quality rating from its lowest sensitivity setting of ISO 50 up through ISO 800. To compare, the D3s earned an Extremely High rating from its base of ISO 100 through 800, while Canon..." - Jun 14 2012 More » |
Nikon D4 Reviews Roundup [Total 16 Reviews] »














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