Average Camera Review Rating [12 reviews]
This camera is currently ranked at #58 of the top camera sales ranking in US.
This camera is currently ranked at #39 of the top camera sales ranking in Japan.

Cameras In The Article
This camera is currently ranked at #58 of the top camera sales ranking in US.
This camera is currently ranked at #39 of the top camera sales ranking in Japan.

On March 2 2012, Canon announced the long-awaited replacement to their popular full-frame EOS 5D Mark II DLSR - the EOS 5D Mark III. Although the 5D Mark III does n't come close to the 36 Megapixels resolution of the recently announced Nikon D800, most photographers probably will find the 22.3 Megapixels on the 5D sufficient. Along with the new sensor, the 5D Mark III also features a DIGIC 5+ Imaging Processor, 61-point High Density Reticular Autofocus (AF) System, 6 fps continuous shooting speed (50% more than 5D Mark II), enhanced video features with better noise reduction, longer video recording times, a built-in headphone jack for audio monitoring and an improved weather resistance chassis. The 5D Mark III inherits many features from Canon's recently announced flagship DSLR EOS-1D X, including the DIGIC 5+, 61-point AF array with up to 41 cross-type points and five dual cross-type.
Professional Video is one of the main focus enhancement for the 5D Mark III catering the needs of the cinematographers, television production professionals and independent filmmakers. The 5D Mark III can capture 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps. It also includes new H.264 video compression formats - intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for data storage efficiency. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production. The 5D Mark III can record video continuously up to 29 minutes and 59 seconds across multiple 4GB files together with manual audio level control with 64 levels, automatic audio level setting, wind filter, and an optional stereo mic input.
Along with the 5D Mark III, Canon also announces several new optional accessories, including the Canon Wireless File Transmitter WFT-E7A ($849.99) featuring wireless LAN support for 802.11 a/b/g/n, GPS Receiver GP-E2 ($390), Battery Grip BG-E11 ($490), flagship Speedlite 600EX-RT flashlight ($629.99), and the Speedlite Transmitter ST-E3-RT ($470). The EOS 5D Mark III is expected to be available at the end of this month for $3,499.00 in a body-only configuration, or $4,299 with the kit lens EF24-105mm f/4L IS USM zoom lens. Here's the summary of review by DigitalCameraReview, giving the camera a rating of 4.5 out of 5:
"On paper, the Canon 5D Mark III may not seem like a huge step up from the 5D Mark II especially given all the rumors (and long-time anticipation) surrounding its release. In some ways, the Mark III on the surface doesn't dazzle with additional bells and whistles or even any huge leap forward in technology. And, given the fact that the Mark III currently costs about $1300 more than the 5D Mark II ($3,499 and $2,199, respectively), the 5D Mark III may be a hard sell to newcomers to the 5D family and questionable for some 5D Mark II owners. We don't have final test results for the Nikon D800, so we can't compare the two for those of you who may not have a vested interest (e.g., lenses) in one system or the other. But 5D Mark II users have an even more difficult task deciding whether or not to update to the Mark III. Perhaps the best reasons to upgrade are the highly capable AF system, the improved performance from the Digic 5 + processor and higher ISO capabilities. But if you're happy with the 5D Mark II and you don't think your photography will benefit from those three main improvements, then you might want to see what the next generation may bring.
"On paper, the Canon 5D Mark III may not seem like a huge step up from the 5D Mark II especially given all the rumors (and long-time anticipation) surrounding its release. In some ways, the Mark III on the surface doesn't dazzle with additional bells and whistles or even any huge leap forward in technology. And, given the fact that the Mark III currently costs about $1300 more than the 5D Mark II ($3,499 and $2,199, respectively), the 5D Mark III may be a hard sell to newcomers to the 5D family and questionable for some 5D Mark II owners. We don't have final test results for the Nikon D800, so we can't compare the two for those of you who may not have a vested interest (e.g., lenses) in one system or the other. But 5D Mark II users have an even more difficult task deciding whether or not to update to the Mark III. Perhaps the best reasons to upgrade are the highly capable AF system, the improved performance from the Digic 5 + processor and higher ISO capabilities. But if you're happy with the 5D Mark II and you don't think your photography will benefit from those three main improvements, then you might want to see what the next generation may bring.
However, as Aristotle once said: The whole is greater than the sum of its parts, (and, no, I can t believe I just quoted Aristotle in a camera review). Sure, the new 61-point AF system is excellent, faster performance is always a good thing as is high ISO capabilities. While this camera's updates and enhancements on their own may not be particularly motivating to everyone, when integrated into a single camera, it s easy to see why the 5D Mark III is currently backordered at most retailers."
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| Manufacturer | Canon | Nikon |
|---|---|---|
| Model | EOS 5D Mark III | D800 |
| Style | Digital SLR | Digital SLR |
| Megapixels | 22.3 | 36.3 |
| LCD Screen | 3.2-inch TFT color, liquid-crystal monitor with Approx. 1.04 million dots Coverage Approx. 100% Approx. 170 degree vertically and horizontally | 3.2-inch Wide Viewing Angle TFT-LCD with 921,000 Dots 170-degree wide-viewing angle |
| Memory Cards | CF Cards (Type I); Compatible with UDMA CF cards; SD, SDHC, and SDXC Memory Cards | 1 CompactFlash (CF) card and 1 Secure Digital (SD) card - CompactFlash (CF) (Type I, compliant with UDMA) SD SDHC SDXC |
| Resolution | (1) Large: Approx. 22.10 Megapixels (5760 x 3840) (2) Medium: Approx. 9.80 Megapixels (3840 x 2560) (3) S1 (Small 1): Approx. 5.50 Megapixels (2880 x 1920) (4) S2 (Small 2): Approx. 2.50 Megapixels (1920 x 1280) (5) S3 (Small 3): Approx. 350,000 Pixels (720 x 480) (6) RAW: Approx. 22.10 Megapixels (5760 x 3840) (7) M-RAW: Approx. 10.50 Megapixels (3960 x 2640) (8) S-RAW: Approx. 5.50 Megapixels (2880 x 1920) Exact file sizes depend on the subject, ISO speed, Picture Style, etc. | FX-format (L) 7,360 x 4,912 (M) 5,520 x 3,680 (S) 3,680 x 2,456 1:2 format (30 x 20) (L) 6,144 x 4,080 (M) 4,608 x 3,056 (S) 3,072 x 2,040 5:4 format (30 x 24) (L) 6,144 x 4,912 (M) 4,608 x 3,680 (S) 3,072 x 2,456 DX-format (L) 4,800 x 3,200 (M) 3,600 x 2,400 (S) 2,400 x 1,600 |
| File Formats | Still Image: JPEG, RAW (14-bit Canon Original), M-RAW, S-RAW, RAW+JPEG, M-RAW+JPEG, S-RAW+JPEG Video: MOV (Image data: H.264/MPEG-4 AVC; Audio: Linear PCM) | JPEG: JPEG-Baseline Compliant with fine (approx 1:4), Normal (approx 1:8) or Basic (approx 1:16) Compression NEF (RAW): lossless compressed 12 or 14 bit, lossless compressed, compressed or uncompressed TIFF (RGB) JPEG: JPEG-Baseline-Compliant; can be selected from Size Priority and Optimal Quality, Movie File Format MOV Movie Video Compression H.264/MPEG-4 Advanced Video Coding |
| Focal Length | N/A | N/A |
| Shutter Speed | 1/8000 to 1/60 sec., X-sync at 1/200 sec. 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode.) * Shutter speed's control range can be set with a Custom Function. | 1/8000 to 30 sec. Bulb |
| Aperture | N/A | N/A |
| ISO Sensitivity | ISO 100-25600 (in 1/3-stop or whole-stop increments) ISO speed expansion possible to ISO 50, 51200, and 102400. For [Highlight tone priority], the settable ISO speed range will be 200-25600. ISO speed safety shift possible with Custom Function. | ISO 100 - 6400 Lo-1 (ISO 50) Hi-1 (ISO 12,800) Hi-2 (ISO 25,600) |
| White Balance Settings | (1) Auto (AWB) (2) Daylight (3) Shade (4) Cloudy (5) Tungsten light (6) White fluorescent light (7) Flash (8) Custom (Custom WB) (9) Color temperature | Auto (2 types) Choose color temperature (2500K-10000K) Cloudy Direct Sunlight Flash Fluorescent (7 types) Incandescent Preset manual (up to 4 values can be stored) Shade |
| Flash Modes | E-TTL II autoflash with all EX Series Speedlites | TTL: i-TTL flash control using 91,000-pixel RGB sensor are available with built-in flash and SB-910, SB-900, SB-700, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighting metering, standard i-TTL flash for digital SLR with spot metering |
| Flash Range | N/A | 39 ft. (ISO 100) |
| Shooting Modes | Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3 * Scene Intelligent Auto will set [Auto] automatically. * [Standard] is the default setting for [User Def. 1-3] | Landscape Monochrome Neutral Portrait Standard User-customizable Settings Vivid |
| Maximum Movie Resolution | 1920 x 1080 (Full HD), 1280 x 720 and 640 x 480 | 1280 x 720 (30p): 30 fps (29.97 fps) 1280 x 720 (60p): 60 fps (59.94 fps) 1920 x 1080 (24p): 24 fps (23.976 fps) 1920 x 1080 (30p): 30 fps (29.97 fps) |
| Maximum Movie Frames Per Second | [1920 x 1080]: 30 fps / 25 fps / 24 fps [1280 x 720]: 60 fps / 50 fps [640 x 480]: 30 fps / 25 fps | 24 fps, 30 fps, 60 fps |
| Maximum Movie Duration | If the recording time reaches 29 min. 59 sec., the movie shooting stops automatically. | 20 minutes at highest quality 29 minutes 59 seconds at normal quality |
| Macro Focus | N/A | N/A |
| Metering | Max. aperture TTL metering with 63-zone SPC with the following selectable modes: (1) Evaluative metering (linked to all AF points) (2) Partial metering (center, approx. 7.2% of viewfinder) (3) Spot metering (center, approx. 1.5% of viewfinder) AF point-linked spot metering not provided. (4) Center-weighted average metering | Center-weighted: Weight of 75% given to 8mm circle in center of frame Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses) Spot: Meters 4mm circle (about 1.5% of frame) centered on selected focus point |
| Image Stabilization | No | No |
| Self Timer | 10-sec. or 2-sec. delay | 2, 5, 10, 20 sec. Timer duration electronically controlled |
| Video Out (TV Playback) | (1) Video OUT terminal: NTSC/PAL selectable (2) HDMI mini OUT terminal | HDMI output: Type C mini-pin HDMI connector Headphone Connector NTSC Stereo Microphone Input |
| Batteries | One Battery Pack LP-E6 | EN-EL15 Lithium-ion Battery |
| Dimensions | 6.0 x 4.6 x 3.0 in. (152.0 x 116.4 x 76.4 mm ) | Width 5.7 in. (144.78mm) Height 4.8 in. (121.92mm) Depth 3.2 in. (81.28mm) |
| Weight | 30.3 oz./ 860g | 31.7 oz. (900g) |
| Other Info | Continuous Shooting Speed High-speed: Maximum approx. 6 shots/sec. Low-speed: Maximum approx. 3 shots/sec. Silent continuous shooting: Maximum approx. 3 shots/sec. Maximum Burst JPEG Large/Fine: Approx. 65 shots (approx. 16270 shots) RAW: Approx. 13 shots (approx. 18 shots) RAW+JPEG Large/Fine: Approx. 7 shots (approx. 7 shots) *Figures are based on Canon's testing standards (ISO 100 and Standard Picture Style) and a 8 GB card. | Top Continuous Shooting Speed at full resolution 4 frames per second |
| Release Date | 2012-03-02 | 2012-02-06 |
Canon EOS 5D Mark III Sample Photos on Flickr
Canon EOS 5D Mark III Camera Reviews Roundup
| Imaging Resource: "As one of the true superstar digital SLRs retailing for a medium-high starting price, the Canon 5D Mark III deserves close scrutiny, and it's lived up to our expectations. Replete with new features, the Canon 5D Mark III's most important one is its full-frame sensor, whose resolution Canon kept to a conservative 22.3 megapixels. The image quality we see is good enough that we can say Canon's covered the right base f..." - Jan 29 2013 More » | |
| Phoblographer: "One of the places where the 5D Mk III excels is with portrait photography. Skin tones are often rendered very true to life: if anything I would say that they are exactly like Fujifilm 400H Pro film. And to be honest, that's a reason to get excited. It seems that many cameras these days either lean towards Portra or other films. The sensor on the 5D Mk III though will be loved by lovers of that film. Like the 5D Mk I..." - Nov 01 2012 More » | |
| PhotographyLife: "When Canon introduced the highly anticipated 5D Mark III to the market, the photography community and many Canon fans felt underwhelmed by its specifications, especially after the big shock wave left by the Nikon D800. For the first time, it felt like Canon and Nikon reversed their game - instead of focusing on more megapixels like it has been doing for many years now, Canon decided to keep the resolution of the cam..." - Oct 29 2012 More » | |
| PopPhoto: "Video capture yields gorgeous-looking footage. Although Nikon actually gains an edge here (thanks to the uncompressed video output from the D4 and D800), unless you're shooting a high-level professional-grade project, the video clips you get from this Canon will be all you'll need. Heck, given how much the Mark II has been used professionally by photojournalists and Hollywood shooters alike, we'd guess that pros wil..." - Jul 12 2012 More » |
Canon EOS 5D Mark III Reviews Roundup [Total 26 Reviews] »













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